這是我非常喜歡的睡著的預言家: Edgar Cayce所出版的書😊

一樣將這些看到他人身上光譜的前輩，

所分享的資訊，分享給大家❤️

Stephen MacKenna described as, “an active mental life, with a little love to warm it.”

For the burden of all the readings is the necessity for man to take up his cross—’

‘Mind is the builder: knowledge not lived becomes sin;

in every person of whatever station look not for things to criticize, but for something you adore in your Creator;

for you will not enter the kingdom of heaven, except leaning upon the arm of someone you have helped.” 

The aura reflects the vibrations of the soul.

When a person is marked for death the soul begins to withdraw and the aura naturally fades. 

One lady I know has a great deal of green in her aura, and she is inclined to dislike green in the aura of others, and place a disagreeable interpretation on it .

Red 

The body, the earth, and hell, all three of which meant the same thing in the old mystery religions 

It indicates force, vigor and energy. 

Dark red indicates high temper, and it is a symbol of nervous turmoil.

A person with dark red in his aura may not be weak outwardly, but he is suffering in some way, and it is reflected in his nervous system 

If the shade of red is light it indicates a nervous, impulsive, very active person, one who is probably self-centered. 

Scarlet indicates an overdose of ego. 

Pink, or coral, is the color of immaturity.

It is seen usually in young people, and if it shows up in the aura of one who is grown it indicates delayed adolescence,

a childish concern with self. 

In all cases of red there is a tendency to nervous troubles, and such people ought to take time to be quiet and to get outside themselves. 

Red is the color of the planet Mars, and corresponds to do, the first note in the musical scale.

In early Christianity it signified the suffering and death of Christ, and was the color of war, strife and sacrifice. 

Orange 

Orange is the color of the sun. It is vital, and a good color generally, indicating thoughtfulness and consideration of others. 

Golden orange is vital and indicates self-control. 

Brownish orange shows a lack of ambition and a don’t-care attitude. 

Such people may be repressed, but usually they are just lazy. 

People with orange in their auras are subject to kidney trouble. 

In the early church orange signified glory, virtue, and the fruits of the earth,

all of these being connected naturally with the sun. In the musical scale the note re corresponds to orange. 

Yellow 

Yellow is the second primary color. 

Golden yellow it indicates health and well-being 

Such people take good care of themselves, don’t worry, and learn easily;

good mentality is natural in them. 

They are happy, friendly, and helpful. 

If the yellow is ruddy, they are timid. 

If they are red-heads they are apt to have an inferiority complex. 

They are thus apt often to be indecisive and weak in will, inclined to let others lead them. 

In the musical scale the note mi corresponds to yellow, and Mercury is the planet of this color. 

Green 

Pure emerald green, particularly if it has a dash of blue, is the color of healing. 

It is helpful, strong, friendly 

It is the color of doctors and nurses, who invariably have a lot of it in their auras. 

However, it is seldom a dominating color, usually being over-shadowed by one of its neighbors. 

As it tends toward blue it is more helpful and trustworthy. 

As it tends toward yellow it is weakened. 

A lemony green, with a lot of yellow, is deceitful. 

As a rule the deep, healing green is seen in small amounts, but it is good to have a little of it in your aura. 

Saturn is the planet of this color, and fa is its musical note.

In the early church it symbolized youthfulness and the fertility of nature, taking this quite naturally from the sight of the fields in spring. 

Blue 

Blue has always been the color of the spirit, the symbol of contemplation, prayer, and heaven. 

Blue is said to be the true color of the sun, and it is also the color of the planet Jupiter,

which is the ruler of great thoughts and high-mindedness. 

Almost any kind of blue is good, but the deeper shades are the best. 

Pale blue indicates little depth, but a struggle toward maturity.

The person may not be talented, but he tries.

He will have many heart aches and many headaches, but he will keep going in the right direction. 

The middle blue, or aqua, belongs to a person who will work harder and get more done than the fellow with light blue, though there may be little difference between them in talent. 

Those with the deep blue have found their work and are immersed in it.

They are apt to be moody and are almost always unusual persons, but they have a mission and they steadfastly go about fulfilling it.

They are spiritual-minded for the most part, and their life is usually dedicated to an unselfish cause, such as science, art, or social service.

I have seen many Sisters of Mercy with this dark blue, and many writers and singers also. 

The musical note of blue is sol, and in the early church the color was assigned to the highest attainments of the Soul. 

Indigo and Violet 

Indigo and violet indicate seekers of all types, people who are searching for a cause or a religious experience. 

As these people get settled in their careers and in their beliefs, however, these colors usually settle back into deep blue. 

It seems that once the purpose is set in the right direction, blue is a natural emanation of the soul. 

Those who have purple are inclined to be overbearing, for here there is an infiltration of pink. 

Heart trouble and stomach trouble are rather common to persons with indigo, violet and purple in their auras. 

Venus is the planet of indigo, and la is its musical note.

The moon is the planet of violet and ti is its musical note.

In the early church indigo and violet meant humiliation and sorrow. 

The perfect color, of course, is white, and this is what we all are striving for.

If our souls were in perfect balance then all our color vibrations would blend and we would have an aura of pure white. 

Color is light, and light is the manifestation of creation.

Without light there would be no life, and no existence.

Light, in fact, is the primary witness of creation. 

An aura is an effect, not a cause.

Every atom, every molecule, every group of atoms and molecules however,

simple or complex, however large or small, tells the story of itself, its pattern, its purpose,

through the vibrations which emanate from it. 

The aura emanates from the whole body,

but usually it is most heavy and most easily seen around the shoulders and head,

probably because of the many glandular and nervous centers located in those parts of the body. 

The dark shades generally denote more application, more will power, more spirit.

The basic color changes as the person develops or retards,

but the lighter shades and the pastels blend and shift more rapidly as the temperament expresses itself.

The mind, builder of the soul, is the essential governing factor in the aura;

but food, environment, and other conditions have their effect. 

The shape of the aura is sometimes helpful.

In children, for instance, it is possible to tell whether a great deal of training by example will be needed,

or whether precept will do as well.

If the child is reasonable and will accept instruction on this basis the aura will be like a rolling crown.

If example is needed, the aura will be a more definite figure, with sharp points and a variety of colors.

If the child intends to be a law unto himself, the aura will be like a rolling chain,

lower than the position of a crown, going about the shoulders as well as the head.

In the green aura of healers, if the color quivers as it rises, the person is most sympathetic.

Several times I have seen people in whose auras there were little hooks of light here and there.

In each case the man had a job as overseer of large groups of other men, a director and a leader.